concert

Salsa Showcase @ El Parador this Saturday

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One night to remember.Two Bands.One Stage.....Salsarengue and Tito Y Su Nuevo Son..Also a special presentation by Salsón.
 
When: Saturday, July 30th
Time: 9 PM to 2 AM
Where: El Parador Restaurant (2744 E. Broadway) 

Also, it's my sister Julieta's Birthday on Saturday!!! We hope that you can all come and celebrate with us!!
 

Latin Explosion 2011

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Septeto Nacional Afterparty at The Hut

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Victor Manuelle, N'Klave, Elvis Crespo Concert in Phoenix

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Gran Fiesta Navideña with Grupo Galeo

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Sergio Mendoza Y La Orkesta @ The Rialto

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Orquesta La Unica at Club Congress

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 Join Orquesta La Unica this Thursday for their new Salsa night at Hotel Congress.
When: Thursday, January 21, 201
                7 to 10 PM

www.hotelcongress.com

Grupo Manteca @ Las Casuelitas

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Tito Puente Jr. and Orchestra in Tucson

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Celebrate the high-voltage, Afro-Caribbean sounds that made Tito Puente “El Rey,” – the undisputed King of Latin music. Hot horn arrangements soar over irresistible, hard-driving, Latin polyrhythms as Tito Puente, Jr. celebrates his father’s legacy of mambo, merengue, salsa and cha-cha-cha classics and introduces a few new favorites with a contemporary flair. Tito Puente influenced generations of musicians with the conga- and timbale-driven tempos and spicy charm of his arrangements. His animated performance style lives on in his son's infectious showmanship, as he and his orchestra transport the audience to a festive evening in the tropics.

 

Buy tickets here

Y La Orkesta @ The Rialto

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Indie-Mambo is a great characterization for the twelve plus members band Y La Orkesta. Originally from Tucson, Arizona Y La Orkesta’s members are primarily from two local bands The Jons and Seven to Blue. Y La Orkesta slam dunk the resurrection of Perez Prado’s sound, Sergio’s greatest influence that fearlessly created Mambo by combining traditional Cuban rhythms with the swing of American Jazz, and Big Band harmonic sophistications. Unlike revival Mambo from the 1990’s, Y La Orkesta maintains their influence from 1940’s and 1950’s Jazz by utilizing tight percussion and high register trumpets. Deftly, Sergio Mendoza masters the fevered complexities of Mambo to infuse it with the jangly funkiness of modern rock.

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